Today we travel a bit of a path less traveled. As you good readers know, for the most part I look at music from the ’60s through the ’90s and look at significant musical anniversaries. But every once in awhile, I like to feature brand new music… as a bit of site trivia, the very first post of the over 4000 and counting was a review of an album by Toronto indie band Slave to the Squarewave. So today, we look at a new and rising band out of Nashville, Stray Arcade. They were nice enough to contact me and ask if I’d give their material a bit of a listen and I did that, and after doing that was feeling they are worthy of a bit of attention.
Stray Arcade are for lack of a better “pigeonhole”, a power pop trio begun around the end of the pandemic, according to bassist Jameson Cunningham. He and guitarist Jake Kimble left other Nashville acts to start their own band, finding “common ground in ’90s Indie British music ala The Stone Roses, The Charlatans and The Verve.” I must say I don’t really hear that swirly, shoe-gazey Britpop coming through in their own music, but that’s a good set of bands to listen to. As are acts like Matthew Sweet, the Lemonheads, and Cheap Trick who are also cited by them as something of inspirations for their sound.
They added Kevin Bibb as a drummer, but after playing a bit they realized his voice was pretty good for their sound and shifted him to the front of the stage to take over the vocals. They bring in a drummer for their live shows, of course, but haven’t settled on a full-time one.
They recorded their first single “Wandering Eyes” last year, and have worked steadily since. They put out an EP , Underneath it All , it n ’23 and are working on a new one now. The lead single off of it, “Can’t Complain” came out just last month.
“Wandering Eyes” is a nice little tune of unrequited love with a bit of a jangly twang that made me think of Tom Petty or perhaps Weezer. “Money Mouth”, another of their songs you can hear on their website or via Spotify or Bandcamp has a nice Sloan-like build up and melody and a subtle awareness of the sonic structuring of grunge without coming wrapped up in smelly flannel – there’s a good loud/soft/loud thing going on. “Turn Away” , the pseudo-title track from the first EP showcases Kimble’s guitar prowess as well as the band’s sense of a natural melody. “Can’t Complain”, the new one seems to pick up where it left off.
All in all, I think these guys might have been a next big thing had they come along 30 years ago. Let’s hope that good music knows no expiry date and they can still be that. Now, in all honesty I’d say they aren’t quite there yet – at my end, their production and mixing has a bit of room for improvement (for instance it’s difficult to hear Kimble’s bass at times, and could be played up a bit in the mix) but compared to many of today’s Top 40 entries with so much gloss, over-production and sampling, the rawness is a bit refreshing. They write good tunes with decent, often relatable lyrics. They have energy as a live act and I expect the more they play, the tighter they’ll become. Central Tennessee fans can find out for themselves on July 10, with a show in Nashville listed as their next live set. They might not have found their “Buddy Holly” or “Don’t Do Me Like That” to catapult them into everyone’s consciousness or ears quite yet but I think they might not be that far off.
Jameson tells me Underneath it All is available as a CD but primarily is marketed through their shows and a few Nashville shops, but as it is the 2020s, anyone can find them online streaming.
I thank Stray Arcade for reaching out to me and hope that you, dear readers, will give a bit of a listen to their work, and moreover that they will keep working away and writing new songs. Sooner or later a big label should come knocking and then we might be able to say “I remember listening to them back when…”
I love listening to the music of my lifetime, and like anyone over 50 now, that’s a pretty big catalog to sort through. But there is something special about finding a brand new act that could be tomorrow’s “music of my lifetime.” Don’t ‘stray’ too far from your sound or influences, lads. We’ll hear more of you soon!
I’ve heard of them before…maybe off of Christian’s site? I don’t know… yea this sounds really good and I’m happy they are from Nashville. It’s nice to see Nashville change…in the 80s…a rock band here had a rough go if you couldn’t play country (believe me!)…now…it’s a bit of everything here.
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they have potential I’d say and I hope they stick with it… andmaybe get to extend their range a bit outside of Nashville … I assume they have no financial backing to do a big tour or record a full album in a major studio but maybe a show or two in memphis or Huntsville to slowly expand that audience…
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I’m not sure now how they go about it. They can easily record an album in a living room…now it’s the exposure they need to go behind it which yea….a Record Company would provide. The music business is so fractured now.
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yep, it would be challenging starting a new band. It’s dead simple to record and get your music out there , via Spotify, you Tube, your own site, whatever… but it’s probably outlandishly difficult getting anyone to notice.
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That is the problem…plus you don’t make as much from sales as you do from touring now…unless you are a pop star. I love the ability to make an album now…anywhere…but I HATE the current music business.
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I didn’t know them, Max, but really like what I’m hearing.
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Ok…I wasn’t sure…it could have been Jeff’s….
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hey y’all,
we’re stray arcade! thrilled about dave’s lovely article and wanted to join in the conversation.
first off, saw a few of you also blog about music, we’d love to send you stuff! let us know if that’s cool and your preferred method of contact.
next, saw some friendly (and fair) criticism of the website. we bought that url off go daddy the week we locked in the name for i wanna say $26 and have been designing and maintaining it ourselves ever since. eventually, we’d like it to be the main hub on the www for all things us but lately we’ve been slacking on the site and putting our focus more on socials. agreed it needs to be more robust and informative tho.
any other questions? ask us anything.
cheers,
jameson
bass // stray arcade
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Thanks Jameson, I hope I got you a few new listeners and we’ll hear more from you soon. Your website, by the way, looks good- clean design, I like the logo, some real good photos…but a little more info on there probably would be good. Fair point about putting time into the social media though
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Thanks for the intro, Dave. Based on my initial impression, Stray Arcade sound right up my alley. Their songs have great melodies. I also like the vocals and their melodic guitar sound. I’ll keep an eye out for their next EP you mentioned. Any word on when it’s scheduled to drop?
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I don’t think so… they seem talented and have an OK website, but as younoted, it’s a little sparse on info or details. Hopefully they’ll add to that down the road.
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Unfortunately, I have to say that’s something I see quite often with up-and-coming acts, and I don’t get it. If you have a website, why not put up a basic bio. It doesn’t need to be long.
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there is a bit of one but it’s semi-hidden (not sure why!) https://www.strayarcade.com/epk
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Thanks, at least that’s something! In many other cases I’ve seen, there was literally nothing other than perhaps a photo and links to the artist’s music.
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It’s weird cuz they have good photo work there & a well- designed logo but things like ‘who we are’ and ‘buy a copy of our Music’ seem after-thoughts.
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Unfortunately, no matter how talented they are, some musicians aren’t very good communicators.
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Catch 22 almost. Those that can play the media game are probably on TV, doing ‘So you think you can sing?!’ karaokeing Mariah songs. The unwashed masses writing and trying to get better are in back corners of neighborhood bars
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It has a good catchy sound, vocals are distinctive without being annoying (as some distinctive voices can get to be after a couple of tracks) They sound more than fine to me, and Dave I get your comment about Petty. Nice art work on ‘Can’t Complain’ too. That song sounds sorta Fountains Of Wayne to me. That’s a good thing! Also, I hope they keep going. The music business- any creative business- is full of acts that have/had all the qualities needed but don’t get the breaks. Make it happen guys.
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They referenced Fountains of Wayne to me in one e-mail actually, so you’re on it there. I think they have talent. I’m old & cranky but if a young act go out of their way to have me listen, I’ll do it and if they sound promising I will help ’em if I can.
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Interesting on the FOW angle. Yes, if they reach out- and if they’re good, which they are- why not give ’em a hearing?
Oh Dave, c’mon, you’re a regular Pollyanna compared to this grumpy old git!
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I feel bad I don’t listen to half the new music Christian posts weekly. I believe some of it is fine, but I’m set in my ways and weekend mornings come around…before you know it, I’ve got family things to do and sweetie’s watching her stuff on TV if we don’t have to go out in minutes…
But if a new artist seems interested enough to find me and be impressed enough somehow to ask me to listen, I will . It’s flattering really.
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Yes, the time factor is what I have to try to keep under control. I could easily follow more WP sites, there are so many interesting ones I could and would love to jump in on, but with the ones I follow, about a dozen plus or so (and I try to do more than slap a ‘like’ on it and move on) I find I’m an hour in and I’m only halfway through most days. Plus we all have our own stuff to write/process/rework etc. So what with the wife, life, the Universe and everything to deal with as well I can’t reasonably take on much more. One guy I follow- well, he’s pulled waaaaay back now- had at least 100 likes per post and at least thirty different comments on each post to deal with. If I was in his shoes I’d be answering comments 24/7.
It is kinda flattering and nice to have someone wanting your opinion.
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Exactly true. There are probably 20 more blogs here I could think of off the top of my head that I’d like to follow on top of the ones I already do, but I’d never get to get up from my desk most days.
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