They called him “Runt” but he had a big day on this day in 1973 – Todd Rundgren‘s great “Hello It’s Me” peaked at #5 on Billboard, making it, not surprisingly, his biggest hit to date.
Rundgren grew up in Philadelphia and quickly grew to become a versatile musician capable of playing just about any instrument it seemed. He joined a couple of bands there while still a teen, most notably Nazz. It was with them that he recorded the original version of this song, the first one he ever wrote, in 1969. That version was a little slower and more psychedelic than the one we know that became a hit in the ’70s.
After striking out on his own, he quickly developed a following with the early-’70s hits “We Gotta Get You A Woman” and “I Saw the Light”. He became increasingly creative, talented in the studio and on any number of instruments and tired of working with other musicians who didn’t share his energy (large amounts of Ritalin and pot “caused me to crank out the songs at an incredible rate” he says of the period) or visions. He came to work for Bearsville Records at their studio in upstate New York and help produce albums from Ian and Sylvia, Paul Buttersfield and Jesse Winchester (whom he helped Robbie Robertson of The Band with) before getting to work on his third album, Something/Anything? .
He decided at first to do that album entirely on his own, and seeking a change of pace and inspiration, took off to L.A. to record it. He wrote and recorded a good chunk of the opus there all by himself, including the hit “I Saw the Light”. But an earthquake caused problems at the studio, causing him to retreat back to Bearsville where he finished off what ended up being a 90-minute double album. While he had no help on sides 1 through 3 of the LP, side 4 in New York, he tried to record as a live record in the studio, and utilized a number of session musicians including Rick Derringer on guitar, Randy Brecker, one of Blood, Sweat & Tears’ great horn-virtuosos and Vickie Sue Robinson (who later had a hit with “Turn the Beat Around”) among the backing singers. Side 4 he termed “Baby Needs A New Pair of Snakeskin Shoes – a Pop Operetta” and included “Hello It’s Me”.
The album earned him his only solo gold record in the U.S. and won rave reviews. Rolling Stone, for example, graded it 4.5-stars when it came out calling it “perfectly composed.” Later the publication would rank it as the 117th best album of all-time, naming it his “tour de force” which “demonstrates his command of the studio …over a kaleidoscope of rock genres.”
The command of the studio’s served him well. Since then he’s produced a large number of popular and well-received records including Meat Loaf’s Bat out of Hell and XTC’s Skylarking. Between his own work and his band Utopia he’s put out some 18 more studio albums since Something/anything? but few have rivaled it in sales or acclaim.
“Hello It’s Me” remains one of the more popular singles of the early-’70s and among the myriad of artists to cover it are Matthew Sweet & Susanna Hoffs, as well as John Legend on a Gap (jeans) promo CD.
By the way, in case you were wondering, “Runt’s” really not that tiny. Most sources put him as 5’10” or 5’11” tall.
I never understood why he didn’t have more hits…I know he had a few other than this one but the stuff he did with Nazz is great. He almost perfected the power/pop song…but he will probably be known more as an excellent producer.
2021 was about time he was inducted into the RRHOF
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finally! Even though he said he didn’t care, it was high time that he was in there. So many have done so much less than him but were pushed in there right away. His few hit singles were all great, though this one probably is best. I still remember that Bearsville label , I had a couple of his 45s.
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I agree…just on being a producer alone he should have got in…now that Wenner is off the board…maybe some others who deserved to be on will get in.
This one is probably his best one…
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I hesitate to ask – who did they replace Wenner with?(Warning – if your answer is anyone who’s name is a mispelled word that seems Ludy-kris or anyone with ‘DJ’ in front of their name, you may want to cover children’s ears for you might not want them to hear my response!)
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I just looked Dave…they haven’t mentioned anyone!
LOL…I haven’t heard a word!
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I love this song! Todd Rundgren is a really talented and intriguing artist. Like Max, I’m a bit puzzled he didn’t have more hits.
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yeah, he had the talent and when he was with Utopia, he had a very good backing band. I don’t think he was too prolific in his own recordings though and maybe just didn’t care much what the public wanted to hear on hit radio.
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I’ve only heard bits and pieces of his music. I just checked on Wikipedia and noticed how many albums he has put put. Between his solo albums, Nazz and Utopia, it’s more than 40 – I didn’t remember it was so many. And then you got all of his production work. Quite impressive!
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Great song!
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Definitely is. Thank you for commenting. Merry Christmas to you!
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Merry Christmas to you Dave!
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Todd did a stellar job on those first two TPOH albums back in the late 80s early 90s. He dialled in those guitars perfectly
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‘Love Junk’ is a great album I need to reacquire! They were excellent & I think you’re right, Todd was good in producing it ‘Just right’
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Back in the mid-70s he was in Dallas a lot, many folks thought he lived there. I saw him at a venue called Mother Blues. Not sure if it was Nazz with him, but a darn good band.
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I seem to recall seeing him tied into Dallas, somehow in some article. And he had the Meatloaf connection too
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Maybe that was it. He was always playing one venue or another.
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Pretty talented guy and a good producer as you noted. Not sure why he was not more prolific, one can only take so much Ritalin I suppose.
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