When you’re in a small “club” that includes Neil Diamond and Carole King, you’ve done pretty well. So then, we remember Alan O’Day today, on what would have been his 83rd birthday. O’Day isn’t anywhere near as famous as those two, but he is among the few songwriters who’ve written #1 songs for other stars as well as themselves.
O’Day seemed set early on to live a life in music. He was playing a xylophone and making his own songs up by six, three or four years later he was playing ukulele to impress his friends at school. By high school, he was in two bands, one he started, The Shoves, influenced by his musical heroes back then – Elvis, Fats Domino, Ray Charles, Little Richard. One of his bands made it onto a local TV talent show then, and Johnny Otis took notice. He recorded a song or two Alan had written, but they didn’t end up getting released. But it no doubt gave the lad confidence in his skills in music. After high school, he got work doing music editing for a small studio in his hometown of Hollywood. Around that time as well, his then-current band, The Archers, got to tour as the backing band for Dobie Gray.
As the ’60s wore on, he started to drift away (to borrow a term from Dobie) from performing and concentrate on writing songs, one or two of which Dobie had already done. By 1971 he was a staff writer at Warner Bros., and quickly penned his first hit song, “The Drum”, which was a top 30 hit for teen heartthrob Bobby Sherman. In the early-’70s he was very prolific, writing songs recorded by artists including Steppenwolf, David Clayton Thomas, Anne Murray, Dave Mason and many more. “Easy Evil” of his has been done by several dozen artists ranging from Tony Orlando to Dusty Springfield to Long John Baldry. But his first real big break was a song he wrote when inspired by the Beatles character “Lady Madonna” and partly by a girl he knew from his childhood neighborhood who was …socially awkward to say the very least. “Angie Baby” became a #1, gold-selling single for Helen Reddy.
He’d have one more big hit from one of his songs in that time period, “Rock & Roll Heaven” for the Righteous Brothers.
O’Day recorded a solo album in ’73, but it flopped, so he kept writing. However, in 1977, WB started a division called Pacific Records. Somehow he was the only artist they signed or put out! But their one artist did well for them. His song “Undercover Angel” was a #1 hit in both the U.S. and Canada and sold past two million copies. He pretty much disappeared from the radio after that, at least here, despite recording another album in 1979, which included his own version of “Angie Baby” and one more lesser hit in Australia, “Skinny Girls”. But in North America, he’s clearly marked as simply one of the big One Hit Wonders of the decade.
Although he didn’t create many more hit records after then, he kept busy. He did music for Jim Henson, writing 100 or so kids songs for the Muppet Babies TV show, and later, music for National Geographic shows as well. He’d also collaborate with a popular Japanese composer/producer, Tatsuro Yamashita, and together they wrote several Japanese hits like “Magic Ways.”
In the 21st Century, he’d moved to Nashville and begun working as a producer and once again had a tune that was noticed – “Nascar Crazy”, a sort of theme for that car race circuit.
His career seemed to be finding a second wind in country but sadly before it really took off, he died of brain cancer at age 72, in 2013. A one hit wonder, perhaps, but a pretty good resume for that… and one that gets him mentioned with the likes of Carole King. Not too bad for someone who was so largely “undercover” .
He did have a hell of a hit streak in the early to mid-seventies… I can see him wanting to do that himself…but that would be a terrific job…writing those songs and enjoying…of course there is no telling how many songs he actually wrote that didn’t get recorded…
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oh no doubt, if you’re a ‘staff songwriter’, I’m sure you pretty much had to turn out X number of songs a week or month and it’d be like baseball, even the best at it are going to strike out more than they get a hit.
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Yea and it would turn into a regular job quickly! But one that would pay down the line if you get a hit. They didn’t know how much until the movie soundtracks…like Bruce Channel with Hey Baby! ….he made more when it was on the Dirty Dancing soundtrack than when it was #1.
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A tough gig and it’s a good example of difficult it is to sustain a writing career. It’s great he got his solo efforts noticed, a bit of cutesy song but hey it charted well!! Didn’t know he worked with Henson, what special guy he was.
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he obviously had some diversity in his writing abilities to go from Long John Baldry and Steppenwolf to pop top 40 to Muppets to Japanese bubblegum pop. I liked all three of his big hits , his own, the Helen Reddy and the Righteous Brothers, which I always thought was a very well-written song both for lyrics and tune.
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You make a good observation there, not many can be that diverse at anything, let alone song writing.
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I thought that name sounded familiar! I had no idea he was such a great songwriter. “Undercover Angel” was a pretty good single, as I remember, but really minor compared to the other songs he wrote.
And just as a side note, Helen Reddy was a really great singer. She took a lot of crap for “I Am Woman,” which was a song of its time, but she did so much more than that.
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‘Summer Of 71’ is the one I really like by her- she seems to be only remembered for IAW nowadays.
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if remembered at all, like I said to John, she was quite big for some years and had more than just one or two hits.
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I liked ‘Undercover Angel” myself, I was raised on that AM music1 Like I said to someone else here, I also thought ‘Rock & Roll Heaven’ was an excellent song, and recording too. I quite liked Helen Reddy, though I think the only record of hers I bought was ‘Delta Dawn’ as a single. People seem to have forgotten how big she was for five years or so, even her own TV show I think.
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I think it was a summer replacement show, and as I recall it was fairly entertaining. Helen was a good entertainer and an excellent singer. I always liked “Angie Baby.”
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A forgotten one- nice wee single with the ooooooh and aaaaaahs in the mix
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The name Alan O’Day didn’t ring a bell but “Undercover Angel” I recognized right away. Helen Reddy’s “Angie Baby” sounded vaguely familiar. It seems between writing his own one hit and some for others, he didn’t do bad!
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not a bad life he had it would seem, even the ones which weren’t #1 hits probably generated some revenue for him , as would all that TV work.
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